ロドリゴ・プリエトさんのインスタグラム写真 - (ロドリゴ・プリエトInstagram)「“My father was an engineer and my mother was an amateur painter. I guess photography is a combination of those two.” Originally from Mexico City, three-time Oscar nominee Rodrigo Prieto sometimes likens his craft to a magician’s tricks. But it’s Prieto’s heart-first solutions to the technical demands of each story that have earned him the trust of several of the world’s most revered and idiosyncratic directors. “His work was sharp, dynamic and alive,” says Martin Scorsese about choosing Prieto to shoot #TheWolfOfWallStreet, the first of their five joint ventures. “A beautiful eye,” he adds. “He is a force for good on a movie set, a true leader,” Greta Gerwig says of working with Prieto on #Barbie. “He was neither imposing his will nor executing mine, but in that in-between space where I like to be most. It felt like writing with Noah [Baumbach, Gerwig’s co-screenwriter and partner], in a way — a true collaboration.” “My key word for ‘Barbie’ was innocence,” Prieto recalls. “For these toys, the world is all good. I wanted the camera to behave in a very innocent way in Barbieland. It’s usually frontal or sideways. We didn’t use any oblique angles. And that was based on the idea of opening a box.” “It’s hard to imagine two more disparate visions in American movies this year, the burnished amber burn of #KillersOfTheFlowerMoon and the pop precision of ‘Barbie.’ writes Carlos Aguilar. “Prieto could very likely be competing with himself come awards season.” Read Prieto’s interview with Carlos Aguilar (@carlosfilm) at the link in @latimes_entertainment’s bio. 📸 Tania Franco Klein / For The Times; Jaap Buitendijk / Warner Bros.; Niko Tavernise / Netflix」10月17日 6時36分