i-Dのインスタグラム(i_d) - 6月22日 16時30分
At the end of June 1971, photographer Paul Misso was hurtling down the A303 in a caravan with the actress Julie Christie and 250 rolls of colour film.
They were given to him by the director Nic Roeg who planned to make a film about counterculture at the first Glastonbury Fayre and tasked him with shooting stills. Like all good festivals, it was raining when they arrived but as they drove into the field, past an unmanned gate, the skies cleared.
“Suddenly there was this sense that this is a magic place,” he says. The Pyramid Stage was being constructed as a beacon of spirituality in the English countryside, and people wandered about with smiles on their faces. The whole place was shrouded in “a sense of expectancy,” he says; “it was like entering a different kingdom”.
Paul's photo book 'In the Vale of Avalon Glastonbury 1971' takes us back to the festival's spiritual roots.
Hit the link in bio to read more.
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