The New Yorkerのインスタグラム(newyorkermag) - 10月26日 04時10分

In 2018, Zadie Smith wrote about Deana Lawson, whose work “never aspires to a sociological neutrality but, instead, pulses with love,” and who recently became the first photographer to be awarded the Guggenheim Museum’s prestigious Hugo Boss Prize: “Lawson has the rare capacity of being able to take an everyday domestic object and connect it to the spiritual realm. Her work does not show us ‘how the other half lives.’ Rather, it opens up a portal between the everyday and the sacred, between our finite lives and our long cultural and racial histories, between a person and a people.” See more of Lawson’s photographs, and read Smith’s full essay, at the link in our bio.

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