CANON USAさんのインスタグラム写真 - (CANON USAInstagram)「#BehindTheShot with #CanonExplorerOfLight @charlesglatzer | "Be Pro-Active, rather than Re-Active. Having the exposure set in camera before the decisive moment is paramount to producing consistently successful imagery. Last thing you want to do when the stars align is have the image over or under exposed! . . Originally, the egret was in full sunlight, an easy exposure, as it is consistently the same for every white bird in full sunlight (1/1250 @ f/8, ISO 200). This is the Sunny f/16 Reference -2/3 stop for white highlights. For cameras with less dynamic range you may need to close down a 1 full stop from Sunny f/16 (f/22), or 1/1600 @ f/8, ISO 200. . . When the egret moved into a heavily shaded area I had to use an alternate method to determine the exposure. I typically use Manual mode with a Spot meter pattern. However, with a Digital DSLR the fastest way to verify your exposure prior to depressing the shutter is to use “Live View with the Histogram showing”. Make sure Exposure Simulation is turned on. It’s simple...turn on Live View, and adjust variables for proper exposure, shut off Live View, and shoot. With Canon’s Dual Pixel AF you can focus, track, and shoot all while in Live View. You can do this with a Mirrorless camera through the EVF as well. . . Techniques such as Exposing to the Right (ETR) and having a firm grasp in postproduction techniques will allow you to extract all the information recorded in capture." . . Camera: #Canon EOS-1D X  Aperture: f/5.6 ISO: 800 Shutter Speed: 1/1000 sec」6月20日 22時06分 - canonusa

CANON USAのインスタグラム(canonusa) - 6月20日 22時06分


#BehindTheShot with #CanonExplorerOfLight @charlesglatzer | "Be Pro-Active, rather than Re-Active. Having the exposure set in camera before the decisive moment is paramount to producing consistently successful imagery. Last thing you want to do when the stars align is have the image over or under exposed! .
.
Originally, the egret was in full sunlight, an easy exposure, as it is consistently the same for every white bird in full sunlight (1/1250 @ f/8, ISO 200). This is the Sunny f/16 Reference -2/3 stop for white highlights. For cameras with less dynamic range you may need to close down a 1 full stop from Sunny f/16 (f/22), or 1/1600 @ f/8, ISO 200. .
.
When the egret moved into a heavily shaded area I had to use an alternate method to determine the exposure. I typically use Manual mode with a Spot meter pattern. However, with a Digital DSLR the fastest way to verify your exposure prior to depressing the shutter is to use “Live View with the Histogram showing”. Make sure Exposure Simulation is turned on. It’s simple...turn on Live View, and adjust variables for proper exposure, shut off Live View, and shoot. With Canon’s Dual Pixel AF you can focus, track, and shoot all while in Live View. You can do this with a Mirrorless camera through the EVF as well. .
.
Techniques such as Exposing to the Right (ETR) and having a firm grasp in postproduction techniques will allow you to extract all the information recorded in capture."
.
.
Camera: #Canon EOS-1D X
Aperture: f/5.6
ISO: 800
Shutter Speed: 1/1000 sec


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