ニューヨーク・タイムズさんのインスタグラム写真 - (ニューヨーク・タイムズInstagram)「Paraguay's response to modernist architecture? Clay, mud and timber. When the 3-year-old firm @EquipodeArquitectura started planning a studio for itself in Asunción, Paraguay’s capital, the young partners, Viviana Pozzoli and Horacio Cherniavsky, both 30, looked to rammed earth, used in homes by architects like José Cubilla, Francisco Tomboly and Sonia Carisimo, as a material that could not only combine rural and urban sensibilities but also in fact be rural and urban itself. Completed in 2018, their 485-square-foot studio space looks like a square gift box wrapped in butcher’s paper, its walls the shade of terra cotta against a lush backdrop of tropical foliage. Sunlight pours in through a broad pane of glass that bends up over the facade and onto the roof; inside, a miniature courtyard encases the gnarled trunk of a guavirá tree in glass like a botany exhibition. Click the link in our bio for @tmagazine’s story on a new generation of builders devising daring structures that celebrate natural materials, push for eco-consciousness — and argue for a more democratic future. @jasonschmidtstudio took this photo.」2月18日 21時01分 - nytimes

ニューヨーク・タイムズのインスタグラム(nytimes) - 2月18日 21時01分


Paraguay's response to modernist architecture? Clay, mud and timber. When the 3-year-old firm @EquipodeArquitectura started planning a studio for itself in Asunción, Paraguay’s capital, the young partners, Viviana Pozzoli and Horacio Cherniavsky, both 30, looked to rammed earth, used in homes by architects like José Cubilla, Francisco Tomboly and Sonia Carisimo, as a material that could not only combine rural and urban sensibilities but also in fact be rural and urban itself. Completed in 2018, their 485-square-foot studio space looks like a square gift box wrapped in butcher’s paper, its walls the shade of terra cotta against a lush backdrop of tropical foliage. Sunlight pours in through a broad pane of glass that bends up over the facade and onto the roof; inside, a miniature courtyard encases the gnarled trunk of a guavirá tree in glass like a botany exhibition. Click the link in our bio for @tmagazine’s story on a new generation of builders devising daring structures that celebrate natural materials, push for eco-consciousness — and argue for a more democratic future. @jasonschmidtstudio took this photo.


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