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TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME」6月22日 5時50分 - time

TIME Magazineのインスタグラム(time) - 6月22日 05時50分

Everyone knows #Rome is the eternal city, the passage of time palpable at every turn within its decaying walls and labyrinthine streets. The city’s iconic Pantheon—named for “every god”—evokes this continuum of time. @elizabethbick first photographed there at age 20 while studying abroad in #Italy. Fourteen years later she embarked on “Every God,” a decade-long photographic exploration or “endurance piece” documenting visitors to the #Pantheon amidst the dazzling light that floods the oculus, or eye, during the #summer solstice. In Bick’s capable hands, this dramatic, high contrast series calls to mind a complicated dance enacted by a host of unconscious players who find themselves spontaneously bathed in light and shadow, almost as if choreographed by time itself. “It is a one-part endurance piece,” she says, “and one-part preoccupation with an evolving visitor response to the space.” Read more, and see more pictures, at the link in bio. Photographs by @elizabethbick for TIME

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