Vogue Italiaのインスタグラム(vogueitalia) - 3月8日 00時57分

‘VOCABOLARIO CAMP’ ? Read the article about the identity of camp by @exquisit_m in our March issue and via link in bio. It would be nice if it could preserve its esoteric traits over time, remaining a secret sensibility, an elusive, evanescent and fleeting code of identity, of aesthetic distinction, as has been reiterated in various considerations of the theme for the 50+ years since the publication of “Notes on Camp” by Susan Sontag in 1964. Because now, a few weeks from the opening of the exhibition ‘Camp: Notes on Fashion’ at the Met in New York - preceded by the usual opening gala of extravagantly dressed celebrities -camp will immediately make its way through social media. On the threshold of an inevitable transition into broad circulation, probably destined to modify, amplify and distort its meanings, we thought it would be helpful to assemble a glossary that would establish its key attributes, the reasons and origins of its elitist yet subversive charm. CAMP is ARTIFICE. The world as a theatre of the unnatural, of the inauthentic, of things that appear to be what they are not. Camp loves the imitation of materials, models and precious artefacts, makeup and wigs, costumes and cross-dressing, the glitter and the flashy reflections of sequins and rhinestones, the effeminate transparencies of tulle and chiffon, the gaudy pomp of peacock, marabou and ostrich feathers. And it is no coincidence that it has a special passion for Art Nouveau, which transforms lamps into flowering plants, étagères into lotus blossoms, living rooms into sumptuous, redundant gardens, and reality into a fabulous fairytale performed on a stage.
Keep reading the glossary in our March issue and today on vogue.it
Here: @スティーヴン・クライン - Vogue Italia January 2016.

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