New York Times Fashionのインスタグラム(nytstyle) - 11月13日 22時30分

Concealed behind the pasty mask, the trademark fright wig and the impassive expression that Andy Warhol (here with Viva, an actress in his film 'Blue Movie,' in 1968) showed to the world was a man of roiling complexities. In this new history of Warhol World by @guytrebay and @ruthlaferla (link in bio) his collaborators like Fran Lebowitz and André Leon Talley recall the old days in his studio, which many recounted as creative but also shady. "When I first went to the Factory, there was an interesting group of young people. Andy always had some rich kids around him but also people who were incredibly flamboyant, incredibly transgressive. They were there for his amusement. Later, Andy could not distinguish between an interesting young person and just a young person,” said Fran Lebowitz. "Andy would paint behind the offices in the back. You weren’t supposed to go back there, but I would spend hours watching him doing the silk screens on the floor. The colors would be mixed for him. He would apply them with rollers. It was a process. That’s why he called the place the Factory," said @andreltalley. Photograph by Ullstein Bild/@gettyimages #andywarhol

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