ニューヨーク・タイムズのインスタグラム(nytimes) - 9月20日 01時31分

#SpeakingInDance | “You’re supposed to shoot out and fly,” said @indiana_woodward of her entrance in #GeorgeBalanchine’s spectacular “Symphony in C,” set to Bizet. A soloist at @nycballet, Indiana makes her New York City debut in the ballet’s third movement opposite Sebastian Villarini-Velez on Sept. 21. “It’s like being shot out of a canon,” Sebastian added. The third movement is for jumpers, and because, as Indiana pointed out, “it is really hard, thinking of just flying is a nice thing.” Many of the steps are identical for the man and the woman, which is rare and helps cement their bond onstage. “The most important part is the connection that you establish with your partner,” Sebastian said. “We get through it together.” When he learned he would be dancing the part, he had just returned to the company after a long layoff. “I went home to Puerto Rico and lounged for 5 weeks,” he said, “and came back to this monster.” And those jumps? They’re equal parts distance and height. “It’s like Balanchine always said, ‘Dance big,’” Indiana told the @ニューヨーク・タイムズ writer @giadk. “And it always works.” @laurenmnolan made this video for #SpeakingInDance, our weekly series exploring the world of #dance.

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