#MDW18 by Alice Rawsthorn: One of the pleasures of Milan Design Week is seeing the work of great Italian designers from the past, like the joyous exhibition at Nilufar Depot of furniture designed by Lina Bo Bardi and Giancarlo Palanti in São Paulo during the mid-20th century. Half of the chairs, tools, desks and tables in the show, half of which were designed by Bo Bardi alone. Others are Palanti's work and the rest were designed them together at Studio d’Arte Palma, which they ran between 1948 and 1951. Four pieces were made at Pau Brà, the factory they founded to make furniture from locally sourced wood in the hope of matching the production quality they had enjoyed in Italy. Bo Bardi (1914-1992) was established as an architect and designer in Milan when she and her husband, the art historian Pietro Maria Bardi, moved to Brazil in 1946. Palanti (1906-1977) arrived there the same year. His rationalist approach to design is evident in the exhibits, as is the sensuality of Bo Bardi's aesthetic, and her zest for rich textures and colours. Nina Yashar of Nilufar discovered their work on a visit to São Paulo five years ago, and has collected it ever since. It is presented it beautifully at Nilufar Depot in an installation designed by Space Caviar. Photography: Amendolagine Barracchia You can read more about Milan Design Week on my Instagram @alice.rawsthorn, and more about design in my new book, Design as an Attitude, to be published by @jrpringier in June. #design #designasanattitude #salonedelmobile #salonedelmobile2018 @isaloniofficial @milan.design.week #mdw2018 @nilufargallery #nilufardepot #ninayasha @spacecaviar #linabobardi #giancarlopalanti

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#MDW18 by Alice Rawsthorn:
One of the pleasures of Milan Design Week is seeing the work of great Italian designers from the past, like the joyous exhibition at Nilufar Depot of furniture designed by Lina Bo Bardi and Giancarlo Palanti in São Paulo during the mid-20th century. Half of the chairs, tools, desks and tables in the show, half of which were designed by Bo Bardi alone. Others are Palanti's work and the rest were designed them together at Studio d’Arte Palma, which they ran between 1948 and 1951. Four pieces were made at Pau Brà, the factory they founded to make furniture from locally sourced wood in the hope of matching the production quality they had enjoyed in Italy. Bo Bardi (1914-1992) was established as an architect and designer in Milan when she and her husband, the art historian Pietro Maria Bardi, moved to Brazil in 1946. Palanti (1906-1977) arrived there the same year. His rationalist approach to design is evident in the exhibits, as is the sensuality of Bo Bardi's aesthetic, and her zest for rich textures and colours. Nina Yashar of Nilufar discovered their work on a visit to São Paulo five years ago, and has collected it ever since. It is presented it beautifully at Nilufar Depot in an installation designed by Space Caviar.
Photography: Amendolagine Barracchia

You can read more about Milan Design Week on my Instagram @alice.rawsthorn, and more about design in my new book, Design as an Attitude, to be published by @jrpringier in June.

#design #designasanattitude #salonedelmobile #salonedelmobile2018 @isaloniofficial @milan.design.week #mdw2018 @nilufargallery #nilufardepot #ninayasha @spacecaviar #linabobardi #giancarlopalanti


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