グッゲンハイム美術館のインスタグラム(guggenheim) - 3月9日 05時09分

Argentinian-born artist, Amalia Pica explores the politicization of communication in its most nuanced forms in her multidisciplinary practice. Her 2013 performance-based work “A ∩ B ∩ C” (read as A intersection B intersection C) draws upon the fact that, during the 1970s, Argentina’s military junta forbade Venn diagrams and the related concept of intersection from being taught in elementary school, viewing it as potentially subversive. There was a belief that it could model forms of collectivity, of eliding difference for the greater good of public opinion and through that, dissent. In “A ∩ B ∩ C,” performers manipulate the translucent colored shapes surrounding the room on specially built shelves. In doing so, they produce geometric configurations that use layering and confluence as a symbol for ideas of collaboration and community building. Replaced on the shelves at each performance’s conclusion, the shapes seem infused with a new communicative potential.
#GuggenheimTakeover #IWD2018 #InternationalWomensDay #GuggenheimCollection #AmaliaPica @amaliapica

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