グッゲンハイム美術館のインスタグラム(guggenheim) - 3月9日 04時06分

Tania Bruguera’s incisive performance works do not just represent politically motivated social infractions—like censorship, deportation, and racial stereotyping—they provoke the political. As live art, her projects directly engage with the world and try to enact substantive change. In 2009, Bruguera presented the performance “Tatlin’s Whisper #6 (Havana version)” at the Havana Biennial in which she created a momentary forum for free speech in a country that does not allow it. Visitors to the exhibition were invited, one-by-one, to stand at a podium and speak uncensored for 60 seconds before being escorted off the stage by actors dressed in military garb. During that instant of free expression each participant wore a white dove on their shoulder in allusion to the one that landed—in a highly choreographed act of political theater—on Fidel Castro during his victory speech after the triumph of the 1959 revolution in Cuba. In December 2014, Bruguera was arrested for attempting to restage “Tatlin’s Whisper #6” in Havana’s Revolutionary Square after President Obama had renewed relations with Cuba following 54 years of hostility. Her passport was revoked and she remained under house arrest for months. Bruguera’s provocation and the consequences she suffered were culturally specific but her art resonates globally, especially today with the renewed rise of the authoritarian state.
#GuggenheimTakeover #IWD2018 #InternationalWomensDay #GuggenheimCollection #TaniaBruguera @taniabruguera

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