The New Yorkerのインスタグラム(newyorkermag) - 9月15日 21時16分

For more than a decade, Matthew Pillsbury has been photographing city scenes using long exposures, a process that turns his environs, whether a cherry-blossom-filled park in Tokyo or the High Line in New York City, into opalescent blurs of light and movement. For his latest exhibition, which opened yesterday in Chelsea, he says he was interested in “how we maneuver the pathways in between the political chaos.” Click the link in our bio to see more of his work. Photograph by @screenlives.

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