The New Yorkerのインスタグラム(newyorkermag) - 9月29日 05時18分

Traces of real history are hard to spot in Antoine Fuqua’s reboot of the film “The Magnificent Seven,” but there isn’t much evidence of a real Western, either. You sense that an entire genre, far from being revitalized, is being plundered for handy tips. Click the link in our bio to read Anthony Lane's review of the film. Illustration by @bill_bragg_illustration.

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