Rolling Stoneのインスタグラム(rollingstone) - 6月24日 06時47分
#Flume made one of the best EDM records of 2016 so far. But electronic music is always at its most visceral and thrilling when it mutates into strange new forms before our ears. Dada diehards Matmos’ Ultimate Care II spun dizzying tracks out of little more than a Whirlpool washing machine, while #KaitlynAureliaSmith’s EARS utilized a Buchla Music Easel to conjure up a hallucinatory tropical atmosphere. #TimHecker’s Love Streams found another world in the throats of an Icelandic choir and Andy Stott’s Too Many Voices delved deeper into fourth world weirdness using only #AlisonSkidmore’s voice as a guide. Perched somewhere between electronic abstraction and #EDM bombast was #Anohni’s ‘Hopelessness.’ Photograph by Cybele Malinowski
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