グッゲンハイム美術館のインスタグラム(guggenheim) - 2月5日 01時34分

On view in our High Gallery, see Walls, Corners, Tubes (2009–12) set against looping footage of the Zürich sewer system in Kanalvideo (1992), originally shot by the city’s public works department using remote‐controlled inspection vehicles. The result is a hypnotic and seemingly endless procession that pushes purely functional subject matter to the limits of representation, much like the sculptures shown nearby. #FischliWeiss. Photo: @dmheald.

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