(An image that #ChangedEverything from photographer #BruceDavidson. We are NOW accepting orders! SIGNED $100 #MAGNUMSquare Prints avail through Friday. Shipping everywhere. Link is in our bio)-->“This is a photograph from my project East 100th Street. In 1966, I began to document the neighborhood in Spanish Harlem known as ‘El Barrio.’ At first, I met with the local citizens’ committee, Metro North, to obtain their permission to produce a document that would serve as a calling card to be presented to local politicians, prospective business investors and the mayor. The community workers took me around to meet and observe people living in abysmal housing. I witnessed people working together to improve lives and create a place of peace, power, and pride. At that point in American history, we were sending rockets to the moon and waging a futile war in Vietnam. I felt the need to explore the space of our inner cities and document both the problems and the potential there. I photographed the people of East 100th Street and their environment in an open ‘eye to eye’ relationship, using a large bellows camera with its dark focusing cloth. I carried a heavy tripod and a powerful strobe light along with a portfolio of pictures taken in the community. As I stood before the subjects, the physical presence of the classic camera lent a certain respect to the act of photography, placing me in the picture itself.” — Bruce Davidson

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(An image that #ChangedEverything from photographer #BruceDavidson. We are NOW accepting orders! SIGNED $100 #MAGNUMSquare Prints avail through Friday. Shipping everywhere. Link is in our bio)-->“This is a photograph from my project East 100th Street. In 1966, I began to document the neighborhood in Spanish Harlem known as ‘El Barrio.’ At first, I met with the local citizens’ committee, Metro North, to obtain their permission to produce a document that would serve as a calling card to be presented to local politicians, prospective business investors and the mayor. The community workers took me around to meet and observe people living in abysmal housing. I witnessed people working together to improve lives and create a place of peace, power, and pride. At that point in American history, we were sending rockets to the moon and waging a futile war in Vietnam. I felt the need to explore the space of our inner cities and document both the problems and the potential there. I photographed the people of East 100th Street and their environment in an open ‘eye to eye’ relationship, using a large bellows camera with its dark focusing cloth. I carried a heavy tripod and a powerful strobe light along with a portfolio of pictures taken in the community. As I stood before the subjects, the physical presence of the classic camera lent a certain respect to the act of photography, placing me in the picture itself.” — Bruce Davidson


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