フィラデルフィア美術館さんのインスタグラム写真 - (フィラデルフィア美術館Instagram)「“I was born wearing a metaphoric gache on my head. It didn’t matter how much I didn’t identify with the previous generation of women; it was my destiny.”  The artist Yuni Kim Lang’s work recalls the gache, or tall wigs, historically worn by fashionable Korean women. But instead of simply replicating older hairstyles, her outsized, tremendously scaled wigs become a statement about the burdens women literally and figuratively carry.   @yunikimlangstudio work critiques the oppression experienced by women of Korean ancestry and questions contemporary notions of idealized beauty.   Come experience her work firsthand in The Shape of Time: Korean Art after 1989.  Image 1: ""Comfort Hair - Woven Identity I,"" 2013, Yuni Kim Lang. Collection of the artist. Image 3-4: ""Comfort Hair,"" 2013, Yuni Kim Lang. Collection of the artist.」12月13日 1時43分 - philamuseum

フィラデルフィア美術館のインスタグラム(philamuseum) - 12月13日 01時43分


“I was born wearing a metaphoric gache on my head. It didn’t matter how much I didn’t identify with the previous generation of women; it was my destiny.”

The artist Yuni Kim Lang’s work recalls the gache, or tall wigs, historically worn by fashionable Korean women. But instead of simply replicating older hairstyles, her outsized, tremendously scaled wigs become a statement about the burdens women literally and figuratively carry.

@yunikimlangstudio work critiques the oppression experienced by women of Korean ancestry and questions contemporary notions of idealized beauty.

Come experience her work firsthand in The Shape of Time: Korean Art after 1989.

Image 1: ""Comfort Hair - Woven Identity I,"" 2013, Yuni Kim Lang. Collection of the artist.
Image 3-4: ""Comfort Hair,"" 2013, Yuni Kim Lang. Collection of the artist.


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