i-Dさんのインスタグラム写真 - (i-DInstagram)「Demna's latest @balenciaga couture collection continued exploring some of his perennial themes — razor-sharp nods to Cristóbal Balenciaga’s jutting volumes, floorsweeping gowns quivering with feathers, trompe l’oeil jeans a result of hand-painting, as well as windswept clothing moulded as if to defy gravity and archetypal black- tie and casual garments reimagined in dramatic volumes and elaborate textures.⁠ ⁠ “Making clothes is my armour,” he said after the show. “Cristóbal used to say his métier was his armour — and [clothes] are the place where I reconnect with myself.”⁠ ⁠ “How do you make couture modern?” one journalist asked, to which he replied: “You just saw.”⁠ ⁠ But really, the answer is more complex than the surface belies. “We have a tendency, especially working in this business, to always want to modernise things,” he reflects in a new interview with i-D. “Does it need modernising? If art could exist in the context of fashion, I think it would be couture.”⁠ ⁠ Hit the link in bio to read more from #Demna on Balenciaga's rebellion against 'luxury'.⁠ .⁠ .⁠ .⁠ Text @osman_ahmed_⁠ Photography @stef_mitchell⁠ Fashion @sydneyrosethomas⁠ Hair @akemi_kishida at MA+⁠ Make-up @karinwesterlundd at Streeters⁠ Set Design Anne Aubert⁠ Casting Gabrielle Lawrence at @peoplefile⁠ Models Anne Kroon at Known, Sweia Hartmann, Mami Akol and Ash Rouault at Select, Deborah Akanni at Oui, Mortiz Wöhlbier, Seng Khan at Women, Kamil Sznajder at Aquamarine, Piotr Szatan at The Squad, Guo Jike at RockMen, Maguatte Thiam at Studio, Amance Bastard, Arthur Del Beato at Milk, Quadri Olajuwon at Xdirectn and Anton Grebentsov⁠ All clothing and accessories #Balenciaga #Couture」11月17日 2時45分 - i_d

i-Dのインスタグラム(i_d) - 11月17日 02時45分


Demna's latest @Balenciaga couture collection continued exploring some of his perennial themes — razor-sharp nods to Cristóbal Balenciaga’s jutting volumes, floorsweeping gowns quivering with feathers, trompe l’oeil jeans a result of hand-painting, as well as windswept clothing moulded as if to defy gravity and archetypal black- tie and casual garments reimagined in dramatic volumes and elaborate textures.⁠

“Making clothes is my armour,” he said after the show. “Cristóbal used to say his métier was his armour — and [clothes] are the place where I reconnect with myself.”⁠

“How do you make couture modern?” one journalist asked, to which he replied: “You just saw.”⁠

But really, the answer is more complex than the surface belies. “We have a tendency, especially working in this business, to always want to modernise things,” he reflects in a new interview with i-D. “Does it need modernising? If art could exist in the context of fashion, I think it would be couture.”⁠

Hit the link in bio to read more from #Demna on Balenciaga's rebellion against 'luxury'.⁠
.⁠
.⁠
.⁠
Text @osman_ahmed_
Photography @stef_mitchell
Fashion @sydneyrosethomas
Hair @akemi_kishida at MA+⁠
Make-up @karinwesterlundd at Streeters⁠
Set Design Anne Aubert⁠
Casting Gabrielle Lawrence at @peoplefile
Models Anne Kroon at Known, Sweia Hartmann, Mami Akol and Ash Rouault at Select, Deborah Akanni at Oui, Mortiz Wöhlbier, Seng Khan at Women, Kamil Sznajder at Aquamarine, Piotr Szatan at The Squad, Guo Jike at RockMen, Maguatte Thiam at Studio, Amance Bastard, Arthur Del Beato at Milk, Quadri Olajuwon at Xdirectn and Anton Grebentsov⁠
All clothing and accessories #Balenciaga #Couture


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