坂本龍一さんのインスタグラム写真 - (坂本龍一Instagram)「LIFE – fluid, invisible, inaudible… Ryuichi Sakamoto + Shiro Takatani   An installation piece made of deconstructed sounds and images used in the opera “LIFE”(1999). The opera LIFE was a requiem for the 20th century and a vision for the 21st century, made with music, words, images, and body movements on the themes of war and revolution, science and technology, and of coexistence. In the act of converting the opera into an installation format, the artists became additionally interested in exploring the boundaries between various perceptible and imperceptible things as expressed in the subtitle “fluid, invisible, inaudible.", resulting in the work involving fog.  The fragments of images and sounds are divided into 20-30 groups according to a taxonomical system used in the study of natural history. The experience created by the twelve units of sounds and images that never play in the same combination, differs from conventional and linear experiences of time.  . . .  这件影音装置是对1999年首演的歌剧《生命》进行解构而成。自2007年作品问世以来，高谷史郎一直是坂本龙一的主要合作艺术家，他们在美术馆和艺术节中不断展出新的装置作品。歌剧《生命》以战争与革命、科学与技术、共生等为主题，通过音乐、声音、语言、影像、肢体等方式谱写了一首20世纪的安魂曲，也表达了对21世纪的愿景。歌剧的副标题为“流动、不可见、不可闻”。在将歌剧转化为装置作品的过程中，坂本龙一试图探寻可感知和无法感知之间的模糊界限，并最终决定借助雾来呈现这件作品。原版作品受日本山口媒体艺术中心（YCAM）委托创作，由九组单位装置构成。此次专为木木美术馆中央展厅的开阔空间增加了三组，形成了包含十二组装置的富有动感的作品。十二个水箱构成3 x 4的方格阵列悬吊在半空中，每个水箱两侧装配有音箱。图像被投射于在水箱中生成的雾气上。浓雾时可以清晰成像，而薄雾时图像则透过水槽，形成在地面上荡漾的光影。大部分图像和声音都取自歌剧《生命》，此外艺术家们还为作品加入了新的素材。它们依照博物学分类法被划分为20-30组，并储存在硬盘当中随机播放，成为一件处于不断变化中的作品。在这空中花园般的空间中，观众可漫步，可伫立，亦可躺在地上。十二组声音与图像的随机组合带来无限的变化，在这里观众可以感受不同于惯有线性时间的全新体验。 Installation view, LIFE - fluid, invisible, inaudible..., Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. Photo by M WOODS photography team  Ryuichi Sakamoto | SOUND AND TIME M WOODS Chengdu, China, August 18th, 2023 - January 5th, 2024 Please visit a link in bio for more details. #lifefii #ryuichisakamoto #shirotakatani #mwoods #skmtnews」10月17日 7時44分