i-Dさんのインスタグラム写真 - (i-DInstagram)「On January 24th 2023, the minute hand of the Doomsday Clock – a symbolic timepiece that indicates the likelihood of a human-precipitated apocalypse – moved to 90 seconds to midnight.⁠ ⁠ It was around this time that artist @gray_wielebinski began research for his biggest commission to date: a solo exhibition at @icalondon – the prestigious arts institution within touching distance of Buckingham Palace, the royal seat, and Whitehall, the heart of Britain’s political institution. ⁠ ⁠ Situated along such a physical axis of power, the ICA’s location became a natural preoccupation for 'The Red Sun is High, the Blue Low' – particularly, the eeriness its immediate context elicits in our current pre-apocalyptic cultural climate; the notion that metres from where visitors are stood, decisions could be made that could bring about the end of the world.⁠ ⁠ The conclusions are subjective, but Gray’s interest here is to interrogate the paranoia’s function as a powerful tool in institutional meaning-making. “It's a very rich and sensitive affect to plug into. I was thinking about paranoia as a lens to look at power, information, truth and history."⁠ ⁠ Hit the link in bio to read more about the exhibition which captures the ambivalence, paranoia and creative potential of our strange present.⁠ .⁠ .⁠ .⁠ Text @mahoroseward⁠ Photography @jesse_glazzard⁠ #graywielebinski #art #icalondon」10月10日 1時05分 - i_d

i-Dのインスタグラム(i_d) - 10月10日 01時05分


On January 24th 2023, the minute hand of the Doomsday Clock – a symbolic timepiece that indicates the likelihood of a human-precipitated apocalypse – moved to 90 seconds to midnight.⁠

It was around this time that artist @gray_wielebinski began research for his biggest commission to date: a solo exhibition at @icalondon – the prestigious arts institution within touching distance of Buckingham Palace, the royal seat, and Whitehall, the heart of Britain’s political institution. ⁠

Situated along such a physical axis of power, the ICA’s location became a natural preoccupation for 'The Red Sun is High, the Blue Low' – particularly, the eeriness its immediate context elicits in our current pre-apocalyptic cultural climate; the notion that metres from where visitors are stood, decisions could be made that could bring about the end of the world.⁠

The conclusions are subjective, but Gray’s interest here is to interrogate the paranoia’s function as a powerful tool in institutional meaning-making. “It's a very rich and sensitive affect to plug into. I was thinking about paranoia as a lens to look at power, information, truth and history."⁠

Hit the link in bio to read more about the exhibition which captures the ambivalence, paranoia and creative potential of our strange present.⁠
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.⁠
.⁠
Text @mahoroseward
Photography @jesse_glazzard
#graywielebinski #art #icalondon


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