スラッシュのインスタグラム(slash) - 8月25日 07時40分

Credit to @lordrarerock KEITH MOON: THE ANIMAL - The Who close out “My Generation” with an electric jam session at the Isle of Wight Festival (1970). The energy emanating from Keith Moon and the rest of the band is special and palpable, he truly was a monster. Highlights from the festival are too numerous to mention, but this was just six months after the Who’s historic set at Leeds and they were in absolute peak form. Leeds wasn’t filmed, so this is basically as close as one can come to seeing what a Who show was like at that moment in time.

No drummer in a true rock & roll band has ever been given – has ever seized, perhaps – as much space and presence as Keith Moon used in those first years, likely because no other drummer has been able to carry the weight. Discussions of Moon have always focused on his drive, his force, but while the momentum he generated remains untouched, what I now hear in his sound is richness. Moon played like four drummers – he was never busy, ornamental or meretricious. It was a question of power, surely, but that power had its parts: astonishing timing (Moon’s violent punctuation of Daltrey’s stutter all through “My Generation”), unaccompanied loudness (the six tiny shots, heard as two cracks from a rifle, that break up “I know what it means but – can’t explain” on the Who’s first single) and, most of all, a profoundly vivid imagination, an ability to hear – and then play – what no one had heard before. And because Moon, a genius if any musician in rock deserves the name, arrived in the Who fullgrown, he gave the rest of the band, Townshend in particular, the freedom to grow. He was their line to the source. Enjoy

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