The New Yorkerのインスタグラム(newyorkermag) - 3月1日 09時20分

Nicole Eisenman, whose paintings and sculptures often show cartoonishly distorted people trying to make the best of tragicomic circumstances, has created some of the most ambitious works of her career during the pandemic. Her new painting “Destiny Riding Her Bike,” which is about eleven feet by nine feet, depicts a bicycle incident, but the subjects’ faces reveal surprising expressions of calm—the cyclist’s arms, outstretched, are better set for a consoling embrace than for breaking a fall. Eisenman describes it as both a “kind of a slow-motion accident” and “a romantic painting of two people meeting.” Tap the link in our bio to read Ian Parker’s new Profile, which takes readers inside the celebrated artist’s studio. Art work courtesy Thomas Widerberg / Astrup Fearnley Museet, Oslo, Norway.

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