My Interiorさんのインスタグラム写真 - (My InteriorInstagram)「‘Structure and freedom, order and chaos, are only ever revealed through the mark. Where his contemporaries pursued perception, exploited new materials, repurposed popular culture, adapted graphic design, or fetishized finish, Moses was obsessed with the mark.’ - Dr Richard Davey, Author.   Through a series of diverse fluid lines, the ‘Whipline’ paintings present Ed Moses’ embodied mark. As Davey illuminates, the significance of Moses’ work lies in the elemental act of his mark making. While the flourishes of abstract marks across the canvases invoke chaos, they simultaneously declare Moses’ presence and ability to find control through chance and circumstance.   Read more about the ‘Whiplines’ series in Davey’s insightful catalogue essay online. Link in bio.  Left 📸 Ed Moses, ‘Go Green Wip on Eild’, 2008, Acrylic on canvas, 72 x 60 in, 182.9 x 152.4 cm  Right 📸 Ed Moses, ’Yenoh’, 2004, Acrylic on canvas, 72 x 60 in, 182.9 x 152.4 cm」2月15日 19時06分 - myinterior

My Interiorのインスタグラム(myinterior) - 2月15日 19時06分


‘Structure and freedom, order and chaos, are only ever revealed through the mark. Where his contemporaries pursued perception, exploited new materials, repurposed popular culture, adapted graphic design, or fetishized finish, Moses was obsessed with the mark.’ - Dr Richard Davey, Author.

Through a series of diverse fluid lines, the ‘Whipline’ paintings present Ed Moses’ embodied mark. As Davey illuminates, the significance of Moses’ work lies in the elemental act of his mark making. While the flourishes of abstract marks across the canvases invoke chaos, they simultaneously declare Moses’ presence and ability to find control through chance and circumstance.

Read more about the ‘Whiplines’ series in Davey’s insightful catalogue essay online. Link in bio.

Left 📸 Ed Moses, ‘Go Green Wip on Eild’, 2008, Acrylic on canvas, 72 x 60 in, 182.9 x 152.4 cm

Right 📸 Ed Moses, ’Yenoh’, 2004, Acrylic on canvas, 72 x 60 in, 182.9 x 152.4 cm


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