Iris Van Herpeさんのインスタグラム写真 - (Iris Van HerpeInstagram)「'Craftolution' ~ An exploration of the intricate dichotomies between structure and movement that encompass the poetics of each ethereal creation from the atelier ~ fusing layered lightness, three-dimensionality, and undulating volume to materialise the invisible forces that shape our world.    Look 1, 2: Syntopia dresses (2018) made of chronophotographic bird wing lines that are lasercut from mylar and white cotton, to then be heat-bonded to transparent layers of green and copper dyed organza, to flow like a time-lapse motion. Look 3: 'Glitch' dress (2017) made from a fine black silk and an expandable lasercut mylar fabric in collaboration with @Philip.Beesley. Look 4: 'Labyrinthine' gown (2020) made from 3D lasercut metallic dendrites that are heat bonded to blossoming leaves of white translucent organza, to then be hand-stitched onto lasercut pearlescent skeletal labyrinths, creating a vibrating exoskeleton of weaving waves. Look 5: 'Symbiotic' Asymmetric Kimono dress (2019) made from white silk panels that are layered and heat-bonded into a fine 3D lasercut lace of white mylar and cotton, creating hybrid bird patterns. Look 6: 'Lucid' black dress (2016) made from transparent hexagonal lasercut elements that are hand-connected with translucent flexible tubes, creating a glistering bubble-like halo around the body ~ in collaboration with @Philip.Beesley. Look 7: 'Nautiloid' dress (2020) made from cellular deep-sea aquarelles of blues and greens that are oil-painted by @SheleeArt, 3D layered transparent lasercut PetG bubbles are then heat-bonded to multiple transparent digitally printed glass-organza halos. Look 8: 'Aeolian' dress (2018) made from transparent blue organza that is pleated into half-wheel pliseé panels that are liquid-coated, transparent folds cross each other in different directions like glass wings in thin air.  #irisvanherpen #couture #archive」1月7日 1時19分 - irisvanherpen

Iris Van Herpeのインスタグラム(irisvanherpen) - 1月7日 01時19分


'Craftolution' ~
An exploration of the intricate dichotomies between structure and movement that encompass the poetics of each ethereal creation from the atelier ~ fusing layered lightness, three-dimensionality, and undulating volume to materialise the invisible forces that shape our world.  

Look 1, 2: Syntopia dresses (2018) made of chronophotographic bird wing lines that are lasercut from mylar and white cotton, to then be heat-bonded to transparent layers of green and copper dyed organza, to flow like a time-lapse motion.
Look 3: 'Glitch' dress (2017) made from a fine black silk and an expandable lasercut mylar fabric in collaboration with @Philip.Beesley.
Look 4: 'Labyrinthine' gown (2020) made from 3D lasercut metallic dendrites that are heat bonded to blossoming leaves of white translucent organza, to then be hand-stitched onto lasercut pearlescent skeletal labyrinths, creating a vibrating exoskeleton of weaving waves.
Look 5: 'Symbiotic' Asymmetric Kimono dress (2019) made from white silk panels that are layered and heat-bonded into a fine 3D lasercut lace of white mylar and cotton, creating hybrid bird patterns.
Look 6: 'Lucid' black dress (2016) made from transparent hexagonal lasercut elements that are hand-connected with translucent flexible tubes, creating a glistering bubble-like halo around the body ~ in collaboration with @Philip.Beesley.
Look 7: 'Nautiloid' dress (2020) made from cellular deep-sea aquarelles of blues and greens that are oil-painted by @SheleeArt, 3D layered transparent lasercut PetG bubbles are then heat-bonded to multiple transparent digitally printed glass-organza halos.
Look 8: 'Aeolian' dress (2018) made from transparent blue organza that is pleated into half-wheel pliseé panels that are liquid-coated, transparent folds cross each other in different directions like glass wings in thin air.

#irisvanherpen #couture #archive


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