Design Milkさんのインスタグラム写真 - (Design MilkInstagram)「Located near the 42nd Street entrance, on the landing and mezzanine levels of the stairs and escalator that connect Grand Central Terminal and Grand Central-42 St subway station, "I dreamed a world and called it Love" is an expansive mirrored-glass installation designed by artist Jim Hodges.   The composition, comprised of more than 5,000 separately cut pieces of glass in over 70 colors, inverts the commuter’s visual experience of descending underground, starting with an upper landing rendered in sparkling deep blues that reference the celestial ceiling of Grand Central’s Main Concourse and contrast the pale stone architecture of the Terminal, then bursting into a kaleidoscope of color on the lower mezzanine that dazzles against the backdrop of black granite in the newly renovated subway entrance.  From Jim: “The site, a bustling corridor in the heart of New York City, prompted a gesture that might provide a momentary illumination, a split second of image and color that frames the moment in time between places. "I dreamed a world and called it Love" is intended as an offering to honor all citizens, neighbors and visitors who pass through the space. My desire was to rise to the occasion of the historic context of Grand Central Terminal and celebrate the people who give New York its identity for many years to come.”」12月29日 11時05分 - designmilk

Design Milkのインスタグラム(designmilk) - 12月29日 11時05分


Located near the 42nd Street entrance, on the landing and mezzanine levels of the stairs and escalator that connect Grand Central Terminal and Grand Central-42 St subway station, "I dreamed a world and called it Love" is an expansive mirrored-glass installation designed by artist Jim Hodges.

The composition, comprised of more than 5,000 separately cut pieces of glass in over 70 colors, inverts the commuter’s visual experience of descending underground, starting with an upper landing rendered in sparkling deep blues that reference the celestial ceiling of Grand Central’s Main Concourse and contrast the pale stone architecture of the Terminal, then bursting into a kaleidoscope of color on the lower mezzanine that dazzles against the backdrop of black granite in the newly renovated subway entrance.

From Jim: “The site, a bustling corridor in the heart of New York City, prompted a gesture that might provide a momentary illumination, a split second of image and color that frames the moment in time between places. "I dreamed a world and called it Love" is intended as an offering to honor all citizens, neighbors and visitors who pass through the space. My desire was to rise to the occasion of the historic context of Grand Central Terminal and celebrate the people who give New York its identity for many years to come.”


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