Juxtapoz Magazineさんのインスタグラム写真 - (Juxtapoz MagazineInstagram)「“... Well, the car… anything can happen in a car. In a larger sense, it’s a North-American coming-of-age symbol—and sort of tucked right into the trajectory of modern art. There’s this obsession across cinema with it too that aligns with real life somewhere. Bad guys chasing bad guys… violence… teenagers. You hit 16 and bam, you do whatever you can to get your hands on a puttering hunk of hand-me-down metal to just get you outta there! And suddenly the world opens up. It’s a room you can speed around in, where you can collect private conversations. Sneaky sex. It is safe until it’s not. You can stuff so much in a car. And with all that, it’s such a kind of perfect metaphorical and compositional armature for a picture.    “So, teenage-hood and cars… this has been some of the enduring subject matter, but I definitely play house with composition—start with a foundation borrowing from stories, news, lyrics… insert a ghost story here and there from paintings past. And once the beams are in, I’ll give ’em a little whack and hope they’ll stand up with the full force of the painting’s inhabitants and all their junk.”   — @danicalundy in the new Winter 2021 Quarterly」12月22日 13時03分 - juxtapozmag

Juxtapoz Magazineのインスタグラム(juxtapozmag) - 12月22日 13時03分


“... Well, the car… anything can happen in a car. In a larger sense, it’s a North-American coming-of-age symbol—and sort of tucked right into the trajectory of modern art. There’s this obsession across cinema with it too that aligns with real life somewhere. Bad guys chasing bad guys… violence… teenagers. You hit 16 and bam, you do whatever you can to get your hands on a puttering hunk of hand-me-down metal to just get you outta there! And suddenly the world opens up. It’s a room you can speed around in, where you can collect private conversations. Sneaky sex. It is safe until it’s not. You can stuff so much in a car. And with all that, it’s such a kind of perfect metaphorical and compositional armature for a picture.

“So, teenage-hood and cars… this has been some of the enduring subject matter, but I definitely play house with composition—start with a foundation borrowing from stories, news, lyrics… insert a ghost story here and there from paintings past. And once the beams are in, I’ll give ’em a little whack and hope they’ll stand up with the full force of the painting’s inhabitants and all their junk.”

@danicalundy in the new Winter 2021 Quarterly


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