Juxtapoz Magazineのインスタグラム(juxtapozmag) - 11月21日 01時46分

This week, we lost one of the absolute greats in @h_y_u_r_o

Hyuro passed away this week in Valencia, Spain, and although many will speak of her legendary status in the street art and mural art communities, and believe me, she was indeed a legend, this was a career that was just beginning. If you went to a festival over the past decade, often Hyuro was the only woman represented, and as that started to evolve and change in recent years it was probably because of her. She was an original, and I don’t mean that in the sense of what she meant to street art but what she meant to the art world as a whole. She was a rebellious spirit, philosopher, social observer, mother, bitingly funny, passionate, curious and she was timeless and she was the future. She was an amazing painter who always questioned herself in the best way possible….

It was her on those walls. Yes, maybe she would tell you it was a model. But it was her. She laid herself bare on city streets across the world, whether it was a conversation about feminism, politics, a personal discussion she was having with herself… it was her. Uncomfortable conversations, in public space. She would obscure faces, and that made it seem more anonymous, but it was her. Her work had no space and time; they were the most elegant visual poems you would ever see on a wall. She said to me once, “I like the idea of ‘no time.’ Time is a control.” Poetic to the bone, as always ... — @epricco

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