グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「Lynda Benglis’s “Juliet” (1974) hovers between two mediums, reinforcing the artist’s preoccupation with materiality and the evocative potential of the sculpture. The work is from a series that Benglis titled after the NATO phonetic alphabet, a system widely used by the military during radio correspondence in which each letter is represented by a word: for example, Alpha for A, Bravo for B, Juliett for J. ⠀ The work is also inspired by an Andean communication and recording device called a quipu, which consists of knotted strings or cords grouped together and encoded with numeric, linguistic, or other significant meaning to the culture using it. ⠀ __ “Juliet” is on view in #KnottedTornScattered. Click the link in our bio to plan your visit. © Lynda Benglis / Licensed by VAGA at Artists Rights Society (ARS), New York #LyndaBenglis #Guggenheim」11月19日 5時50分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 11月19日 05時50分


Lynda Benglis’s “Juliet” (1974) hovers between two mediums, reinforcing the artist’s preoccupation with materiality and the evocative potential of the sculpture. The work is from a series that Benglis titled after the NATO phonetic alphabet, a system widely used by the military during radio correspondence in which each letter is represented by a word: for example, Alpha for A, Bravo for B, Juliett for J.

The work is also inspired by an Andean communication and recording device called a quipu, which consists of knotted strings or cords grouped together and encoded with numeric, linguistic, or other significant meaning to the culture using it.

__
“Juliet” is on view in #KnottedTornScattered. Click the link in our bio to plan your visit.
© Lynda Benglis / Licensed by VAGA at Artists Rights Society (ARS), New York
#LyndaBenglis #Guggenheim


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