コンラッド・アンカーさんのインスタグラム写真 - (コンラッド・アンカーInstagram)「Not seeing everything at once entices the imagination; an undefined horizon invites us to possibilities of the views beyond. Prior to the development of the wide-angle lens, did photographers find reflections to increase an image’s dimensions? Having two of the earliest images employ this technique makes me wonder.  Please join me and the @themuseumofmodernart for an essay celebrating the 130th anniversary of @yosemitenps .   May the wonders the photographers have preserved on film reflect the sacred connection of the Ahwahneechee. And may you find similar emotions and connections in these images.  @anseladams “Clearing Winter Storm”, 1944  Eadweard J. Muybridge. Valley of the Yosemite. From Mosquito Camp. 1872  Don Worth. Winter, Yosemite. 1957  Richard Misrach. Burnt Forest and Half Dome, Yosemite. 1988  Marge and Joe Anker, my grandparent, sightseeing BITD (our family archive 😊)  #photography #yosemite #nature #art #writing  https://www.moma.org/magazine/articles/433」10月29日 5時57分 - conrad_anker

コンラッド・アンカーのインスタグラム(conrad_anker) - 10月29日 05時57分


Not seeing everything at once entices the imagination; an undefined horizon invites us to possibilities of the views beyond. Prior to the development of the wide-angle lens, did photographers find reflections to increase an image’s dimensions? Having two of the earliest images employ this technique makes me wonder.

Please join me and the @ニューヨーク近代美術館 for an essay celebrating the 130th anniversary of @yosemitenps .

May the wonders the photographers have preserved on film reflect the sacred connection of the Ahwahneechee. And may you find similar emotions and connections in these images.

@anseladams “Clearing Winter Storm”, 1944

Eadweard J. Muybridge. Valley of the
Yosemite. From Mosquito Camp. 1872

Don Worth. Winter, Yosemite. 1957

Richard Misrach. Burnt Forest
and Half Dome, Yosemite. 1988

Marge and Joe Anker, my grandparent, sightseeing BITD (our family archive 😊)

#photography #yosemite #nature #art #writing

https://www.moma.org/magazine/articles/433


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