グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「Now on view, “Knotted, Torn, Scattered: Sculpture after Abstract Expressionism” features sculptural work in the Guggenheim collection from the 1960s and ’70s by six artists who helped redefine the legacy of postwar art in the United States. The works in this exhibition—produced by Lynda Benglis, Maren Hassinger, Robert Morris, Senga Nengudi, Richard Serra, and Tony Smith—respond to and critique the innovations of Abstract Expressionist painters by emphasizing process, material, and performance. ⠀ In conjunction with the museum’s presentation of Jackson Pollock’s groundbreaking, large-scale painting “Mural” (1943), “Knotted, Torn, Scattered” illustrates how many younger artists saw Pollock’s art as an impetus to experiment with new creative techniques in three-dimensional space. ⠀ 🎟 Click the link in our bio to learn more and reserve your timed tickets online. ⠀ __ Pictured (from left): Maren Hassinger, “Untitled” (1972), © Maren Hassinger; Tony Smith, “Wingbone” (1962), © Tony Smith Estate / Artists Rights Society (ARS), New York; Robert Morris, “Untitled, 1970, Pink Felt” (1970), © 2020 The Estate of Robert Morris / Artists Rights Society (ARS), New York; Senga Nengudi, “Performance Piece” (1978/2013), © Senga Nengudi #KnottedTornScattered #GuggenheimCollection #Guggenheim」10月11日 0時06分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 10月11日 00時06分


Now on view, “Knotted, Torn, Scattered: Sculpture after Abstract Expressionism” features sculptural work in the Guggenheim collection from the 1960s and ’70s by six artists who helped redefine the legacy of postwar art in the United States. The works in this exhibition—produced by Lynda Benglis, Maren Hassinger, Robert Morris, Senga Nengudi, Richard Serra, and Tony Smith—respond to and critique the innovations of Abstract Expressionist painters by emphasizing process, material, and performance.

In conjunction with the museum’s presentation of Jackson Pollock’s groundbreaking, large-scale painting “Mural” (1943), “Knotted, Torn, Scattered” illustrates how many younger artists saw Pollock’s art as an impetus to experiment with new creative techniques in three-dimensional space.

🎟 Click the link in our bio to learn more and reserve your timed tickets online.

__
Pictured (from left): Maren Hassinger, “Untitled” (1972), © Maren Hassinger; Tony Smith, “Wingbone” (1962), © Tony Smith Estate / Artists Rights Society (ARS), New York; Robert Morris, “Untitled, 1970, Pink Felt” (1970), © 2020 The Estate of Robert Morris / Artists Rights Society (ARS), New York; Senga Nengudi, “Performance Piece” (1978/2013), © Senga Nengudi
#KnottedTornScattered #GuggenheimCollection #Guggenheim


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