Vogue Italiaのインスタグラム(vogueitalia) - 10月7日 21時12分

Helmut Newton’s obsessions: doors. According to Matthias Harder, Director of the @HelmutNewtonFoundation.
Newton’s photography clearly has an obsessive quality to it. This can be seen not only in the passion he put into his work but also in the relentless ubiquity of certain elements; he was so fanatical about them that one can't help but wonder if they weren’t meant to satisfy some subconscious need of his, beyond being a mere style choice. Windows, doors, and mirrors were some of his recurrent themes. All three, which are deeply rooted in surrealism, perform the same function: creating visual thresholds that open up to the subconscious, the mysterious, and the metaphysical.
Discover all the other obsessions in the October Issue of Vogue Italia and via link in bio.
“16th arrondissement” by Helmut Newton for Vogue Paris 1975.

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