メイジー・リチャードソン・セラーズさんのインスタグラム写真 - (メイジー・リチャードソン・セラーズInstagram)「My directorial debut @sundayschildfilm is coming soon!  Full @elleusa interview online now 💋  ‘Sunday’s Child follows this young queer woman of color who is on the brink of discovering self-love and celebrating who she is. She just moved to L.A. and she's very isolated and having some problems with her family understanding her sexuality. She finds this community of QTPOC artists who accept her for exactly who she is. It's the first time she's seen and loved and appreciated for who she is, and the power that has to start her journey to self-acceptance. It's a positive message for for all those people out there who haven't found their community yet.   Having been in these very white male spaces, when I'm creating, I want to turn [that] on its head. This story is about a young queer woman of color, so why not have it made by young queer women? In the end we had 80 percent female crew and 80 percent people of color, and it created this amazing energy and space where everyone was giving their ideas, their input, and their own experiences. It made it so collaborative. They brought their own nuances to the film, which is what makes it the rich, complex story it is.’」7月30日 9時24分 - maisiersellers

メイジー・リチャードソン・セラーズのインスタグラム(maisiersellers) - 7月30日 09時24分


My directorial debut @sundayschildfilm is coming soon!
Full @ELLE Magazine interview online now 💋

‘Sunday’s Child follows this young queer woman of color who is on the brink of discovering self-love and celebrating who she is. She just moved to L.A. and she's very isolated and having some problems with her family understanding her sexuality. She finds this community of QTPOC artists who accept her for exactly who she is. It's the first time she's seen and loved and appreciated for who she is, and the power that has to start her journey to self-acceptance. It's a positive message for for all those people out there who haven't found their community yet.

Having been in these very white male spaces, when I'm creating, I want to turn [that] on its head. This story is about a young queer woman of color, so why not have it made by young queer women? In the end we had 80 percent female crew and 80 percent people of color, and it created this amazing energy and space where everyone was giving their ideas, their input, and their own experiences. It made it so collaborative. They brought their own nuances to the film, which is what makes it the rich, complex story it is.’


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