ジェイミー・カラムさんのインスタグラム写真 - (ジェイミー・カラムInstagram)「I remember when Twentysomething came out in 2004 I used to receive a lot of old fashioned paper mail. There was one short letter that asked me to consider what it meant to be a non-black musician, profiting off of generations of black artistry and culture. The reason I bring it up now is because I remember so clearly how it wasn’t a conversation I was ready to have with myself, as a 23 year old. But these are exactly the kinds of conversations that need to be had by people like myself, by all of us, however uncomfortable. Because racism is insidious, and racism is never going to go away until the hardest of dialogues are engaged in and inhabited by people that wouldn’t for one second consider themselves racists. George Floyd’s murder is a deafening and barbaric reminder that complacency is a rot that keeps this world breaking apart time and time again. To ignore that or to be silent is to pour fuel on an already towering blaze.」6月2日 2時47分 - jamiecullum

ジェイミー・カラムのインスタグラム(jamiecullum) - 6月2日 02時47分


I remember when Twentysomething came out in 2004 I used to receive a lot of old fashioned paper mail. There was one short letter that asked me to consider what it meant to be a non-black musician, profiting off of generations of black artistry and culture. The reason I bring it up now is because I remember so clearly how it wasn’t a conversation I was ready to have with myself, as a 23 year old. But these are exactly the kinds of conversations that need to be had by people like myself, by all of us, however uncomfortable. Because racism is insidious, and racism is never going to go away until the hardest of dialogues are engaged in and inhabited by people that wouldn’t for one second consider themselves racists. George Floyd’s murder is a deafening and barbaric reminder that complacency is a rot that keeps this world breaking apart time and time again. To ignore that or to be silent is to pour fuel on an already towering blaze.


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