ニューヨーク・タイムズのインスタグラム(nytimes) - 1月3日 07時14分

“There’s danger in the air, and the character that I portray is supposed to resemble hope at the highest power,” said Jeroboam Bozeman, a member of @alvinailey. In “Ode,” a powerful new dance created by @jmar82 for the company’s current @nycitycenter season, the dancers explore the effects of gun violence to the jazz pianist Don Pullen’s “Suite (Sweet) Malcolm (Part 1: Memories and Gunshots).” In this solo, Jeroboam sees himself “kind of like a high priestess,” he said. “Someone who oversees, but also has this sense of wisdom. I think about Trayvon Martin. I think about Philando Castile. I think about Sandra Bland. I think about Eric Garner. These are people we lost to police brutality.” He admires how Jamar created such a multilayered, poetic dance about such a difficult subject. “It could have been music that had actual gunshots,” he told the #nytimes dance critic @giadk. “We could have all had on the hoodies. Instead it’s sensitive and delicate. We’re paying homage to these people that we’ve lost. We’re giving them their flowers. We are helping them ascend.” @mosadek made this video for #SpeakingInDance, our weekly series exploring the world of #dance.

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