Robert Clarkのインスタグラム(robertclarkphoto) - 11月7日 02時24分

The cinematic quality of this image by one of my photographic heroes has always blown me away. William Albert Allard is a treasure and for photographers of my generation he is a sage, he speaks the truth and more importantly he sees the truth.
Bill is having a print sale, here are some details:
As part of his bi-annual flash sale, he offering this signed print at $100 for a three week period
beginning November 4th and ending on November 25th at 11:59 pm (EST). This flash sale print is a 6” x
9” image on a 9” x 11” paper. It is an archival inkjet print on archival watercolor paper. It is signed ID’d
in graphite pencil on the front border. You can see all the pictures on his feed @WilliamAlbertAllard, click the link in his bio and take a look.
I asked him about the image, the film and about working in film, this is what he had to say: "Yes, wonderful old Kodachrome 64.... you could paint with that film, it had beautiful skin tones. I guess the part I miss most about not working in film is the anticipation--not knowing, sometimes for weeks or even months--just what one had. And then the best frames were like receiving a gift from afar." Photo by @williamalbertallard // Stan Kendall at the Miner's Club Bar - Mountain City, Nevada, 1979
The buckaroo crew and I went in one day to get supplies at the tiny hamlet of Mountain City, Nevada. Far from being a city, the community consisted then, as I recall, of a couple of bars and a grocery store. There may have been more, I think there may have been a brothel. Brothels are legal in Nevada; it’s been a long time and it’s hard to remember.
The picture of Stan Kendall was made in the late afternoon and there was sunlight blasting through the door of the Miner’s Club and there was lots of red: Stan’s shirt, the bar’s curtains, the wainscoting of the bar, and the tops of the bar stools. It was as if the entire room was bleeding. Stan is kind of slumped there on the stool, a faraway look on his face. He had what I called back then, that “leaving look.” And he did so the next day, packing up his bedroll and saddle, picking up his pay, and heading to another job on another ranch somewhere down the road.

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