ブレット・ラトナーのインスタグラム(brettrat) - 10月29日 02時27分


Robert EVANS Re: Thalberg Award
Ms. Dawn Hudson, CEO
The Academy of Motion Picture Arts and Sciences
Dear Dawn,
I am writing on behalf of Producer Robert Evans. I wanted to express my passion for suggesting that Mr. Evans receive the Academy's most prestigious Irving Thalberg Award. Robert Evans is a giant of a man - giant in his accomplishments, giant in his vision, giant in his loyalty and concern towards others, giant in his energy and passion in making films, giant in his generosity of spirit. He has always given more to this industry than he took. He made us all that had the benefit of knowing him feel important and good. He considered nothing impossible. He inspired us filmmakers to perform beyond the limits of our abilities and made us better than we were. There was a personal side to every relationship with Mr. Evans. It was never all business. He derived his success from his relationships with people, not his position in Hollywood. The screenwriter Robert Towne, who wrote CHINATOWN for Mr. Evans once wrote "Bob Evans remains, in memory and in life, a standard for every kind of human generosity, and one I have yet to see matched in this town."
This email is not meant to do anything more than to explain to those who sit on the Board of the Academy the reasons why Mr. Robert Evans truly deserves this honor. If nothing more than his contribution to this industry for the films he produced, for the generations of filmmakers that have been inspired by these films in creating their own, and the gift of these many great films for future generations to study and learn from. What better gift can we give one of cinema's creative producing heroes than the most prestigious honor our industry has named after one of the greatest producers ever, Irving Thalberg? Dustin Hoffman said in his speech at the 14th Producers Guild Awards in 2003, when he presented Mr. Evans with the David O. Selznick Lifetime Achievement Award; "In his notes for Death of a Salesman, Arthur Miller said that his play came from images. The image of aging, of so many of your friends already gone, of strangers in the seats of the mighty, who do not know


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