グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「#PrideMonth: “Can a traditional medium like self-portraiture be radically queer? How can existing visual languages be reconstructed as a way to reclaim agency for queer bodies and POC (person of color)? Self-identified 'visual activist' Zanele Muholi (@muholizanele) has dedicated their artistic career to combating racism, homophobia, transphobia and other forms of bigotry and violence through image making. In their recent ongoing photo series ‘Somnyama Ngonyama (Hail the Dark Lionness)’ (2014–), Muholi produces self-portraits using various household and collected items- from rubber gloves to extension cords- to construct strikingly theatrical images in which they adopt different personas and styles. Echoing the aesthetics of fashion photography and black-and-white portraiture, these photographs place the artist's body front and center; a combative reframing of how the black queer body is approached and aestheticized.”—Assistant Curator, Xiaorui Zhu-Nowell (@xzhunowell) — Images from left to right: “Siphe, Johannesburg” (2018); “Ngwane I, Oslo” (2018)」7月1日 6時22分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 7月1日 06時22分


#PrideMonth: “Can a traditional medium like self-portraiture be radically queer? How can existing visual languages be reconstructed as a way to reclaim agency for queer bodies and POC (person of color)? Self-identified 'visual activist' Zanele Muholi (@muholizanele) has dedicated their artistic career to combating racism, homophobia, transphobia and other forms of bigotry and violence through image making. In their recent ongoing photo series ‘Somnyama Ngonyama (Hail the Dark Lionness)’ (2014–), Muholi produces self-portraits using various household and collected items- from rubber gloves to extension cords- to construct strikingly theatrical images in which they adopt different personas and styles. Echoing the aesthetics of fashion photography and black-and-white portraiture, these photographs place the artist's body front and center; a combative reframing of how the black queer body is approached and aestheticized.”—Assistant Curator, Xiaorui Zhu-Nowell (@xzhunowell) —
Images from left to right: “Siphe, Johannesburg” (2018); “Ngwane I, Oslo” (2018)


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