Vogue Italiaさんのインスタグラム写真 - (Vogue ItaliaInstagram)「via @luomovogue // COPYCATS VS THE LAW by @juliezerbo. The rise of ‘call-out culture’ has created a lively new niche in fashion commentary that sees examples of perceived plagiarism identified online and then held up for judgement via the court of public disapproval. Yet if these examples of ‘appropriation’ are so egregious, why do so few of them lead to the real courtroom? The answers lie in the finer details of patents, copyright, trademarks and intellectual property. To understand precisely why some acts of apparently blatant fashion piracy go unpunished when other seemingly slighter assaults on originality lead to lucrative lawsuits we called our favourite lawyer.  Tap the link in bio to read more.  Picture: ‘Supreme Warhol’ is part of the ‘Fake’ series by @cbhoyo, a young artist born in Havana in 1995. Hoyo merges reproductions of art masterpieces with satirical slogans that poke fun at the art market, with its obsessions and pet peeves. Ultimately, in an era shaped by social media and fake news, the series is a reflection on authenticity, both in art and life.」6月27日 22時55分 - vogueitalia

Vogue Italiaのインスタグラム(vogueitalia) - 6月27日 22時55分


via @luomovogue // COPYCATS VS THE LAW by @juliezerbo. The rise of ‘call-out culture’ has created a lively new niche in fashion commentary that sees examples of perceived plagiarism identified online and then held up for judgement via the court of public disapproval. Yet if these examples of ‘appropriation’ are so egregious, why do so few of them lead to the real courtroom? The answers lie in the finer details of patents, copyright, trademarks and intellectual property. To understand precisely why some acts of apparently blatant fashion piracy go unpunished when other seemingly slighter assaults on originality lead to lucrative lawsuits we called our favourite lawyer.
Tap the link in bio to read more.
Picture: ‘Supreme Warhol’ is part of the ‘Fake’ series by @cbhoyo, a young artist born in Havana in 1995. Hoyo merges reproductions of art masterpieces with satirical slogans that poke fun at the art market, with its obsessions and pet peeves. Ultimately, in an era shaped by social media and fake news, the series is a reflection on authenticity, both in art and life.


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