ニューヨーク・タイムズのインスタグラム(nytimes) - 5月22日 23時56分

Speaking in Dance | “I try to make it look as light and as effortless as possible,” said the @nycballet principal @anthonyhuxley of this variation in George Balanchine’s magical — and extremely funny — “A Midsummer Night’s Dream.” Beginning on Tuesday, it closes out the company’s spring season at Lincoln Center. Choreographed in 1962, the 2-act ballet, set to Mendelssohn, provides a shimmering, moonlit setting for Anthony’s impeccable technique. All the same, his role, Oberon, King of the Fairies, “still kind of feels outside of my comfort zone,” he said. “Oberon is so extroverted — he is maybe a little cocky, and that’s not my natural place.” Anthony learned the part from the former ballet master Sara Leland. “She’d say, ‘It’s nice, but it’s kind of boring: Scare me.’” He grasped her point. “I naturally just think, pretty legs, pretty feet,” he told the #nytimes writer @giadk. “But that’s really not what Oberon is. The variation is him flexing his power. He’s showing off.” @angelo_vasta made this video for #SpeakingInDance, our weekly Wednesday series exploring the world of #dance.

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