アンバー・タンブリンさんのインスタグラム動画 - (アンバー・タンブリンInstagram)「The most powerful record you’ll hear all year, by one of the most powerful artists, period. Order it now. #Repost @emilywellsmusic ・・・ Today we premiere a new video for COME ON DOOM, LET'S PARTY. I have inserted myself into found video of climate crisis, dance, and archival protest footage from ACT UP, an organization formed to fight AIDS at the height of the crisis in New York. My movements are actions of love, mimicry, isolated protest. My movements illustrate willful blindness. My movements illustrate a willingness to see. I’m interested in how interacting with digital materials feels different than interacting with people on the physical plane. My movements illustrate this dichotomy. My movements illustrate a fury and a sorrow at the prognosis for our planet. I am interested in the relationship between the history of the AIDS crisis and our current climate crisis and what “silence = death” means in this context. I wish to learn from the activists of ACT UP, the way they took science and knowledge in hand and produced clear solutions that were implemented on a federal level and the way their actions of protest often had a sense of humor, were alive with creativity yet were simultaneously gravely profound. The video falls, I think, more into a cannon of performance based video art than of a traditional music video, though I believe it can serve both forms. Though the work does not directly reference these artists there is a relation to the early video work of Joan Jonas, Laurie Anderson, and Bruce Nauman. In the wake of her death, I dedicate it to the visionary and singular force that is Barbara Hammer. We need a Gran Fury, DIVA -TV, Dyke Dinners. We need to organize like our lives depend upon it. They do. ⚡️thank you @actupny @visual_aids @lgbt_history and @theaidsmemorial for the work you do. ♥️ full video link in bio」3月20日 7時43分