グッゲンハイム美術館のインスタグラム(guggenheim) - 2月17日 07時51分

In his photographs Dawoud Bey (@dawoudbey) addresses issues of identity, representation, and social relationships, grounding larger cultural issues through portraits of individuals. Bey’s “Birmingham Project” (2012) responds to the 1963 bombing of the 16th Street Baptist Church in Birmingham, Alabama, in which four African American girls were killed. Each diptych in the series features a portrait of a young subject who is the same age as one of the victims of the 1963 killings, paired with the picture of an adult at the age that the victim would have been in 2012. The juxtaposition of these portraits both collapses and expands time, evoking the lives denied by past violence, and suggesting the extent to which social attitudes toward race have—and have not—changed during the past 50 years. #BlackHistoryMonth
Artwork: Dawoud Bey, “Wallace Simmons and Eric Allums” (2012)
#DawoudBey #GuggenheimCollection #Guggenheim

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