#GoPro Featured Videographer @marcus_ahlstrom ?? • Clip 1 - When filming, it’s important to base your settings on intent. I wanted to post this clip of @alexanderryden_film vertically, so I set my GoPro to 4K 4:3 at 25fps. Beyond rotating the GoPro, a 4:3 aspect ratio is the closest you can get to IG’s 4:5 vertical format. The scene had bright highlights + dark shadows, so I enabled ProTune + Flat color. That tells the camera to retain as much detail + color data as possible. To control noise in the shadows, I set the max ISO to 200. I started with the GoPro low, capturing reflections in the ice, then lifted it up to reveal the sunset. Halfway through, I dropped speed + turned towards Alex, crossing his trajectory to keep the clip dynamic. • Clip 2 - #GoProAthlete @jespertjader is not only a fantastic skier, but he’s an inspiring creator. He introduced me to #GoProFusion + #OverCapture. There were two challenges for this shot. We had to perfectly sync our speed. If the camera wasn’t in the right spot, the illusion of flipping with Jesper wouldn’t work. We also had to jump together. I wanted him to fill the frame, but we had to avoid colliding. Once we nailed it, I put the footage in Fusion Studio + stitched with full stabilization. Using GoPro’s Adobe plugins, you can do anything with the footage. That’s where the magic happens! To match the rotation of Jesper’s flip, I keyframed the roll axis. I then fine-tuned the keyframes for Pan, Tilt and FOV to lock him in the center of the frame + it was done! • Clip 3 - While filming a documentary with @jacobwester, We found a run with a nice backdrop. I wanted a follow-cam to compliment the POV + drone shots that had already been captured. So, I set the GoPro to 2.7K 4.3 at 50fps. I recommend 4:3 modes for follow-cams. A taller image minimizes the risk of your rider going out of frame. • Clip 4 - I’m a sucker for #SlowMo + opt for high frame rates when filming action. On this day, I ran into @carlregner sessioning a jump, so I set my GoPro to 2.7K 4:3 at 50fps. The extra frames allow you to showcase the tiny details. Just be cautious to not overdo it. Balancing slow-motion with fast-action is key for action-sport edits.

goproさん(@gopro)が投稿した動画 -

goproのインスタグラム(gopro) - 1月20日 06時22分


#GoPro Featured Videographer @marcus_ahlstrom ??

Clip 1 - When filming, it’s important to base your settings on intent. I wanted to post this clip of @alexanderryden_film vertically, so I set my GoPro to 4K 4:3 at 25fps. Beyond rotating the GoPro, a 4:3 aspect ratio is the closest you can get to IG’s 4:5 vertical format. The scene had bright highlights + dark shadows, so I enabled ProTune + Flat color. That tells the camera to retain as much detail + color data as possible. To control noise in the shadows, I set the max ISO to 200. I started with the GoPro low, capturing reflections in the ice, then lifted it up to reveal the sunset. Halfway through, I dropped speed + turned towards Alex, crossing his trajectory to keep the clip dynamic.

Clip 2 - #GoProAthlete @jespertjader is not only a fantastic skier, but he’s an inspiring creator. He introduced me to #GoProFusion + #OverCapture. There were two challenges for this shot. We had to perfectly sync our speed. If the camera wasn’t in the right spot, the illusion of flipping with Jesper wouldn’t work. We also had to jump together. I wanted him to fill the frame, but we had to avoid colliding. Once we nailed it, I put the footage in Fusion Studio + stitched with full stabilization. Using GoPro’s Adobe plugins, you can do anything with the footage. That’s where the magic happens! To match the rotation of Jesper’s flip, I keyframed the roll axis. I then fine-tuned the keyframes for Pan, Tilt and FOV to lock him in the center of the frame + it was done!

Clip 3 - While filming a documentary with @jacobwester, We found a run with a nice backdrop. I wanted a follow-cam to compliment the POV + drone shots that had already been captured. So, I set the GoPro to 2.7K 4.3 at 50fps. I recommend 4:3 modes for follow-cams. A taller image minimizes the risk of your rider going out of frame.

Clip 4 - I’m a sucker for #SlowMo + opt for high frame rates when filming action. On this day, I ran into @carlregner sessioning a jump, so I set my GoPro to 2.7K 4:3 at 50fps. The extra frames allow you to showcase the tiny details. Just be cautious to not overdo it. Balancing slow-motion with fast-action is key for action-sport edits.


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