TIME Magazineのインスタグラム(time) - 8月7日 03時59分

A doctor at a @doctorswithoutborders rehabilitation center in Baghdad hugs a patient, who survived a shooting, in April. The image is part of @lorenzo.meloni's portfolio that examines anti-ISIS campaigns in Syria, Iraq and Libya. While #ISIS has been battered, routed from #Raqqa and #Mosul, very little that traditionally marks the end of a war has taken place. Meloni’s photographs deny us the comfort of a linear progression, writes @3liamalek, author of 'The Home That Was Our Country: A Memoir of Syria.' The scenes they depict—death, destruction, displacement, exile, injury, suffering—do not reveal exact time or place. They almost challenge us to ask then, why do we need to see them now? #History has a way of smoothing out an era’s rough edges, adds Malek, and so necessary lessons often remain unlearned while mistakes are repeated. Meloni’s photographs are haunting, compelling, absurd. One day, they will also be powerful rebukes to the inevitably flattened narratives that will be spun of how it was in these wars. Read more about Meloni's work, and see more of his images, at TIME.com/fragments-of-war. Photograph by @lorenzo.meloni—@Magnum Photos

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