Dazed Magazineのインスタグラム(dazed) - 7月12日 02時53分

EDITOR’S NOTES ? – #DazedDigital arts editor @ashleighkane: South Korean artist and disruptor Lee Bul’s performance, “Sorry for suffering – You think I’m a puppy on a picnic? (1990)”, began when she boarded a plane at Seoul’s Kimpo airport and headed for Tokyo, swamped by the heavy, flesh-coloured material of her bulging bodysuit, and ready to let loose on the capital city.⠀
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While she says that she will never discuss what her art means, “Sorry for suffering – You think I’m a puppy on a picnic” (1990) is believed to be a feminist critique on the controlling of women’s bodies in patriarchal East Asian society, given Lee had transformed her female body into something monstrous; something socially unacceptable.⠀
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This early piece would kick off a three-decade-long career for Lee. From the late 80s up until now, she has been prolific in creating a wide-range of works, which draw on a jumble of references from Masamune Shirow’s Ghost in the Shell (1989-90) manga series, to South Korean politics, and even the decaying stench of a fish market. ⠀
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Her work sees her revisiting past experiences (even her own abortion) and then imagining what our future hopes could look like.⠀
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Read more about the artist on #Dazed today. Her show Lee Bul: Crashing is on at London’s @hayward.gallery now.⠀
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?Lee Bul, “Sorry for suffering – You think I’m a puppy on a picnic” (1990) ⠀
Text @ashleighkane, Bea Windsor

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