LOVE MAGAZINEのインスタグラム(thelovemagazine) - 6月15日 20時18分

Sleeves bulged, stomachs were strapped up with giant knits and hips grew wider and wider, because Jeffrey started and ended by looking to celebrate the grotesque in terms of unexpected volume and fit. It was a Henry Moore sculpture walking down the runway, it was a Louise Bourgeois piece which would fit in your wardrobe. “The volumes and proportions are things that previously we might have found grotesque,” Jeffrey added, “but I wanted to celebrate that and apply that into a design process.” Go to our stories to see the the rest of @thurstanredding’s photographs and read @tomglitter’s interview with @_charlesjeffrey.

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