トーマス・サドスキーのインスタグラム(thomas_sadoski) - 4月29日 04時50分

Ironically, but fittingly, this interview appears in the NYT; a publication that employs a critic who has for years embarrassingly rejected the beautiful, soulful, courageous, brutally honest and vital voice of this playwright and her characters. I hope that Mr Brantley reads and reflects. The privilege that allows one to, from the outside, tell a member of a community that they don’t understand the voice of their OWN community and don’t know how to represent the voice of a person’s OWN community is a privilege so deep that it almost defies imagination. Class is the 3rd rail of our country’s artistic discussion.The level to which this critic has insisted that the voice of this artist & the reality of HER OWN experience fit into his comfortable version of what her community SHOULD sound like is proof of how far we have to go. Read the article, see the play TRANSFERS at The Lucille Lortel (@mcctheater) and support one of the most inspiring and essential artists of our generation.

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