グッゲンハイム美術館のインスタグラム(guggenheim) - 2月21日 04時17分

"What I'm interested in with advertising is how our notions of ourselves and each other are shaped."—Guggenheim collection artist Hank Willis Thomas (@hankwillisthomas). Thomas's body of work constructs dialogues around the stereotypical images of African Americans that media outlets seek to exploit and profit from in film, television, and advertisements. In his series "Unbranded: Reflections in Black by Corporate America" (2005-08), taking mostly magazine ads of African Americans starting in 1968 during the civil rights movement to contemporary times, Thomas digitally stripped the images of all logos and text to “unbrand” and lay bare the ad’s potent imagery. In doing so, he allowed for commentary on how the advertising industry commodifies African American identity with even the simplest imagery. Learn more at guggenheim.org/collection-online. #BlackHistoryMonth

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Artworks from left to right: Hank Willis Thomas, "Farewell Uncle Tom" (1971/2017), "Bleach and Glow" (1975/2008), "Something To Believe In" (1984/2007), "Mist Bihavin' (1992/2008)
#GuggenheimCollection #Guggenheim #HankWillisThomas

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