ニューヨーク・タイムズのインスタグラム(nytimes) - 2月3日 08時03分

When it comes to blood, Quentin Tarantino has nothing on the @metopera. Stabbings, shootings, torture and beheadings are routine at the Met. But the bloodiest show of them all may be François Girard’s production of Wagner’s “Parsifal,” which returns on Monday and floods the theater’s vast stage with some 1,250 gallons of the stuff. The @metopera isn’t trying to create a slasher opera. “Parsifal” is Wagner’s metaphysical meditation on the knights of the Holy Grail, the goblet supposedly used at the Last Supper and which later caught Jesus’s blood on the cross. Their leader, Amfortas, suffers from a mysterious wound that will not heal. “The overall staging didn’t glue until we started playing with blood, because that is ultimately the voltage of the piece,” said François, who has included a river of blood; a bleeding bed; and, in Act II, a shallow pool of blood that covers the stage. “There was a lot of resistance: You can imagine the nightmare. But they’ve mastered it now.” Our staff photographer @damonwinter captured a crew member wading through a pool of blood at a recent rehearsal. Swipe to see more photos, and visit the link in our profile to read more.

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