ピーター・リンドバーグのインスタグラム(therealpeterlindbergh) - 1月29日 03時25分

“In the majority of Lindbergh’s photographs the model’s gazed is fixed firmly on the viewer. An engagement with the audience is established but the exchange is not completely explained. An open-ended situation has been created, one which offers something for the viewers’ own imaginations, the possibility to superimpose their own reading or emotions, a range of intriguing possibilities for rounding off the story, a form of reward for our involvement.[…]
The gaze itself is not simple to define. It is neither passive nor exactly defiant. The enigma is sustained. Is the woman impassive, vulnerable, or is she self-contained, unconcerned, involved in her own story? Is she, indeed, looking pas or through us?”
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Taken form the introduction by photo-historian Martin Harrison to the book ’IMAGES OF WOMEN’ (Ed. Schirmer/Mosel,1997)
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[Pictured: Nadja Auermann, El Mirage, California, 1996]
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#imagesofwomen #LindberghBooks #FromTheVault #SchirmerMosel #MartinHarrison #JuanGatti #2bmanagement #gagosiangallery

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